I think it is unfortunate that JPEGs still get so much criticism. Yes, raw files are better and can be manipulated much more than JPEGs. They inherently possess better image quality. I admit that freely. Also, RAW files are either 12 or 14-bit in color (16-bit in medium format cameras) while JPEGs have only 8-bit color. On the other hand, JPEGs can often can be used straight out of the camera with minimal or no editing. I believe that if you are exposing your images as carefully as you should be (remember ‘getting it right in the camera’?), JPEGs can serve the majority of many photographer’s needs. Shooting in RAW always gives you maximum flexibility but do you always need that? Do you always want to have to edit each of your images? RAW requires that. I think JPEGs have earned a place in our photography.
Contrary to what you may have been told, today’s JPEGs are very, very good to excellent in quality. There are some benefits to offset some of the drawbacks to using JPEGs. First, you get to see the actual color science your camera manufacturer intended. RAW files are only close approximations engineered by the editing software companies.
Second, if you are thoughtful and careful in how you set up and use your camera, very little if any editing needs to be done. They can be excellent for most purposes right out of the camera. However, if you desire, they can be edited quite a lot without degradation including correcting white balance, raising shadows, reducing highlights and adjusting contrast. They just can’t be manipulated as much as RAW files can. ‘Getting it right in the camera’ becomes more important than if you use the RAW file format. Shooting RAW allows you to be a bit’ sloppy’ in your technique, in my opinion. As an example, think about the sports photographers who shoot professionally, in JPEG. One of the reasons they are professionals is they can shoot JPEGs and make outstanding photographs in poor or low light and under high contrast situations. They produce excellent images. Yes, making excellent images in JPEG can be done.
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This was a very high contrast scene. Deep shadow in front and bright summer sun behind. |
I have found over the years that I can shoot JPEGs successfully in two ways. I can either adjust my settings in-camera for the specific composition which is before me which results in little necessary editing or I can set my camera settings to have the lowest contrast, lowest color saturation, lowest sharpness, lowest noise reduction and the flattest Picture Style, Film Simulation or whatever your camera’s manufacturer calls it. In other words, I set my camera's menu setting to whatever gives me a file very similar to a raw file. I then adjust the JPEG in my editing software to taste. Either way, most of the time my JPEG files will be just fine for posting here, sending to friends and even making moderately sized prints.
All that said, I still primarily shoot RAW for all the reasons we know but sometimes I do like to shoot accompanying JPEGs in my Fujifilm camera. I love the look of several of the ‘actual’ film simulations which can’t quite be replicated in Lightroom.
I recommend you try shooting JPEGs on occasion. If nothing else, ‘getting it right in the camera’ will make you a more thoughtful and better photographer.
Join me over at my website, https://www.dennismook.com.
Thanks for looking. Enjoy!
Dennis A. Mook
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Dennis,
ReplyDeleteI can really appreciate your comments on jpegs from the camera. I shot raw only until I bought my X-T3, and I bought that camera with the hope of getting nice images straight from the camera. I never have truly found a way to consistently get images I don’t feel the need to edit at least a little, the camera settings are still a little too limited for me to do that to my taste. I found that my best approach was to do as you said and set my camera for what I would consider a jpeg negative. I now use the Eterna simulation and keep the contrast down. I can then edit to my taste in Lightroom right on my phone or iPad. I have tried and tried to match the results using various raw editors in the hopes of getting even higher quality results but it is never quite the same. Just can’t quite get the same tones. The colors are not really an issue, it’s the tones and detail that I just can’t seem to match. I use the highlight warning to watch my exposure and the rest is done in post on the jpeg. I still shoot raw + jpeg and save the raw files. That way I can always give the raw a try if I need to, try newer software or even reload them onto my memory card to reprocess them in camera. Again, I appreciate your articles on topics such as this, it’s something I can really relate to. Nice work.
Brent
Thank you very much for your comment and relaying your experience.
DeleteTo the best of my understanding, we view our images on electronic displays that are 8 bit SRGB and also print in 8 bit RGB. Several years ago, I forgot to check the settings on my Nikon. I photographed a building in JPEG-Basic. I just knew all was lost, but the image, exposed on a bright sunny day, made an excellent large print.
ReplyDeleteI do agree it is best to start with a RAW exposure for future image editing but JPEG can also work well in those situations where there is predictable color balance and exposure.
I am ready to purchase my next camera, if it can provide the instant in-camera JPEG editing capabilities like my Iphone.
Do you have a favorite Nikon Picture Control setting?
Thanks for commenting. I normally set my Nikons to the Natural Picture Control. Nothing fancy for me.
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