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Old Dodge Truck (click to enlarge) X-T2, 16-55mm f/2.8 lens @ 16mm + polarizer; 1/40th sec. @ f/8; ISO 640 |
I believe the gear I now own exceeds my expectations for image quality in the way of resolution, color, contrast, saturation, detail, dynamic range, etc. I am very happy with my current gear. I really don't think I will gain anything meaningful for my photography by chasing the elusive siren song called "ultimate image quality."
As I have written in the past, almost all of the lenses produced and sold today are better than the best lenses from 30 or 40 years ago. All are capable of producing good images and almost all are capable of producing excellent images. Even the lesser cost lenses produce very good images. The Samyang/Rokinon lenses are a good example. I've haven't used them but from what I read these low priced, budget, manual focus lenses do a splendid job with today's digital cameras.
With the state of digital cameras and lenses today, I've decided that almost any of the gear available will give me the image quality I need for 100% of my needs and 99% of the needs for the rest of us. Ninety-nine percent is pretty darn good for anything. The digital cameras today are amazing tools that do about anything I ask. The lenses, now designed by computers with molded aspherical elements, make even the best lenses of my youth pale. Even kit lenses are terrific. If you don't believe me, try using the Fujifilm 18-55 f/2.8-4 kit lens. You won't be disappointed.
I've included three images from my past made with lenses that are less than the manufacturer's best. Anything wrong with them? Look pretty darn good to me. The Nikon 24-120 is a good lens, not as good as the 24-70 f/2.8, but the images it produces are excellent. A lot less expensive as well. Same with the Nikon 70-200 VR. Not as good as the newer VRII or new E FL models, but excellent. And...the Fuji 55-200? Great lens, in my opinion. The Fuji 50-140mm f/2.8 is spectacular but the 55-200 is a darn good lens. What more could I want in lenses? Any differences between these and the more expensive, newer models is minimal and can only be seen under close scrutiny. Probably the biggest difference in the current lenses are focus speed. If you primarily are a nature, travel and landscape photographer as am I, the focus speed on last year's lenses is just fine.
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Hidden Garden (click to enlarge) Nikon D700, Nikon 70-200mm f/2.8 @ 200mm; 1/60th sec. @ f/8; ISO 800 |
To me the joy of using my gear, the way it feels, how it just works in my hands as well as the the images it is capable of creating, is more important than chasing the ultimate image quality. I'd much rather use a camera that feels "right" to me than a camera that can produce ultimate image quality that is not easy to use. I'd rather use lenses that are moderate in size and cost rather than $2500, or even $4000 behemoths! Today, the difference in image quality between the two types of lenses is minimal if noticeable at all, unless of course, you decide to look at images at 100% on very large monitors with very high resolution. You might see a difference. Additionally, I want to use the money I save for other things, such as more travel, exploration and just wandering. Usually the difference between very good gear and superb gear only becomes apparent at the fringes of photography—extremely low light, very bad or very specialized conditions, etc. If you don't often photograph that way, then that extra expense and weight may not be necessary for you.
I've gone through the stage of using only large format film gear. I've purchased numerous medium format cameras and lenses over the years. I've bought the absolute best 35mm cameras and lenses (I once owned 4 Leicas and 9 lenses—now that is a monetary investment!) all to try to get the absolute best image quality for the task at hand. I never seemed to get what I thought I needed and I never seem satisfied or happy. I was always looking for what's better. Chasing, chasing, chasing but never quite catching.
Does this mean I won't buy additional cameras and lenses? Not at all. After all, photography is my passion and I'm a generalist so I have widely diverse photographic interests. But when I buy gear it will be for a specific reason, feature or purpose that my current gear may not fulfill. In other words, I'll buy it because it brings "value-added" to my photographic endeavors, not just because of an increase in sensor resolution or sharpness of a lens. An example would be a macro lens. Also, I may buy gear just to use and write about and share with you on this blog. That is one of the reasons this blog exists. I love to pass on what I've learned in photography and sometimes that is gear related. Sometimes trying out new gear is like a treasure hunt and it is fun to use, experiment with and see what one can create. I did that with my Holga camera a few years back. But, as I said, I won't be switching gear just to achieve ultimate image quality. The quality I now get is perfect for my photography.
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Fuji X-T1, Fuji 55-200mm f/3.5-4.8 lens @ 200mm (with a Nikon 6T close-up filter attached), 1/6th sec. @ f/16; ISO 200 (click to enlarge) |
One last thing...if you buy gear for the sake of buying gear because your photography or hobby or interest is more about the gear than making photographs, then go for it. No criticism from me. Everyone is different. Or if you are really wealthy, well, just disregard this post and keep collecting and supporting the camera companies. They certainly need it. LOL
Thanks for looking. Enjoy!
Dennis A. Mook
All content on this blog is © 2013-2016 Dennis A. Mook. All Rights Reserved. Feel free to point to this blog from your website with full attribution. Permission may be granted for commercial use. Please contact Mr. Mook to discuss permission to reproduce the blog posts and/or images.
All well-said. As you know, at Thanksgiving I went right past my "best" gear (fuji and Olympus) and opted for the smaller and concise Sony NEX5 and not-so-good "kit" 16-50 lens. Not one of the 19 family members who later saw the images I posted for them said "you should have used a better camera or faster lens". Instead, I got nothing but love, and a few requesting to download image. The best of the images had nothing to do with the camera... it was about my timing, light, and composition.
ReplyDeleteThank you Peter. You reinforce my points. Gear is better than we need most of the time and most people don't recognize the difference.
DeleteDennis: We've gotten so spoiled. I remember the days when pushing Fujichrome 100 to 200 was exciting, giving me one more stop of light. Now, I'm comparing cameras based on ISO 3200 vs. 6400! LOL! MY goodness, some of the files I've seen of 1" sensors are amazing, even at ISO 800. But, we have reached a point, I think, where how a camera "feels" in use matters more than sensor nuances, provided we use decent lenses. Any thoughts on the Fuji 18-135? Mine is good, but not great, and frustrates me, at times. Contemplating a change.
ReplyDeleteDoug, your memories are similar to mine. Remember what a HUGE deal Kodacolor 400 was? And, how grainy it was? I bet the grain in that film equals ISO 25,000 in today's digital cameras.
DeleteThere are no bad digital cameras made today and most cameras and lenses produce better images than the very best of 30 years ago.
I have read many mixed reviews of the Fuji 18-135. That leads me to two possible conclusions. First, either there is an issue with product variation where some copies aren't as good as other copies or second, some photographers' standards are much higher than others when it comes to image quality. Since I don't own one, I can't say. I do have a couple of good friends with that lens and both seem very happy with their copies, however.
Dennis: Earlier today, I ran across a scanned file of a Fujichrome photo that had been pushed to ISO 200. Oh my goodness! My old Panasonic FZ30 files (8MP with 1/1.7" sensor), and even my ancient Minolta Dimage 7Hi files (5MP with 2/3" sensor), look much better than this. Amazing how blessed we are now!
DeleteThanks, Dennis for your comments about the 18-135. I think my copy is fine. I travel in Africa a lot and it's very versatile. It's just when I see the results from my other zooms, in comparison, I'm a bit disappointed, especially from the 50-140. I'm contemplating the 16-55 f2.8 with WR, but it's so darn heavy and lacks OIS which is causing me to pause. Still, it gets rave reviews.
Doug, I have both of those lenses and they are both top notch. At first, when I bought the 16-55mm f/2.8 lens, I quickly learned that I had relied too much on image stabilization. I had a number of images that showed slight camera movement when using slower shutter speeds. I didn't have to worry about it with an image stabilized lens. With this lens, I had to pay attention once again to my shutter speeds. It took a couple of weeks concentrating to regain my technique, but the effort was worth it as my Images with the lens are really satisfying. Sharp, contrasty and works as designed. As for being large, I quickly got used to the extra weight and size. I now don't notice it. Of course, it is much smaller than the 50-140mm f/2.8 lens and I don't mind carrying that one was well as it, too, is superb.
DeleteThanks, Dennis. I think I'll get my hands on the 16-55 and see how it feels.
DeleteHow many times have I said "I'm done... with buying cameras?" I think it was with my first Nikon F2 in 1975, then the Hasselblad in 1982, then the Arca 4x5 in 2006, then the series of Nikon digitals, ending with the D800E. Now with my Fuji X T-2 I feel as you do Dennis but is it realistic. Like many others, I fancy myself and artist :-) but while I love to create, I confess I love the toys and technology. Only time and age will tell if I'm really done. Of course, eventually, I really will be.
ReplyDelete