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This is the image I envisioned. However, in order to achieve it, I had to composite the two images below. Why? Read on. (click to enlarge) X-T1, 55-200mm lens @ 74.1mm; 1/500th sec. @ f/10; ISO 640 |
The image above is of an historic steam locomotive that was brought out of retirement to make a couple of excursions last summer. My thought was to capture it in a fashion, if possible, that would not date the image. No cars, no modern amenities, no people dressed in modern clothing, etc. I have always tried to accomplish that with some of my photography.
Now, I don't mind people. I think, in some cases, people give perspective and a bit of humanistic touch to an image. People can turn a sterile image into one with life and greater interest.
In this post are two images that can serve as an example. The top image is the one I initially visualized when I set up my tripod waiting for this historic steam locomotive to come through this small village. The second one is how the scene actually looked when the locomotive steamed through. At first, I thought to myself, "How am I going to create a photograph without people who may be within the confines of my frame?" That is when I devised the plan to make two images. The first with the locomotive rolling through. The second, an exact duplicate, after everyone left. I would then composite the two into the image I envisioned. It worked well.
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This image was made as the locomotive was steaming past. (click to enlarge) |
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Image made after everyone left the area (click to enlarge) |
Thanks for looking. Enjoy!
Dennis A. Mook
All content on this blog is © 2013-2016 Dennis A. Mook. All Rights Reserved. Feel free to point to this blog from your website with full attribution. Permission may be granted for commercial use. Please contact Mr. Mook to discuss permission to reproduce the blog posts and/or images.
I used to think that images with people were cheesy and people were distracting: I rarely took any with them in it.
ReplyDeleteThen one day I picked up a book by Galen Rowell and my view changed. That was years ago.
I now understand that including people in an image changes the context and the mood, for the viewer. I strive for images that convey a message; elements in its composition create a sense of being, a mood, and emotion. Including or removing people is probably the mostly fundamental difference for an image I make. People facing the camera with recognizable faces, or people looking away, not identifiable also make a huge difference in the psychology behind an image. Only now that I am aware of the implications people have in a photograph I can use them to create the images I want.
Well said! Thank you for your comment.
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