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Shiloh School, Northumberland County, VA (click to enlarge) X-T1, 18-55mm lens @ 18mm; 1/320th sec. @ f/8; ISO 200; converted in Silver Efex Pro 2 |
For the first 17 years of my photographic life, I almost always photographed using black and white film. I bought it bulk, spooled it, shot it, developed it, printed it, then cut my own mats and bought metal frame pieces to hang my own work around the house. The whole process and more importantly control of the process was total satisfaction for me. Black and white images were and continue to be my first photographic love.
With time, age and inclination, I found myself almost always using color film. When digital arrived, color photography and printing had a much better quality than black and white. I continued to do my work in color. Again, with time, technological progress and some simplicity, black and white digital photography was said to equal of better film photography. Not in my book. Until now.
As I now primarily use the X-T1 and dive head on into its capabilities, I was out last week wandering around with a good friend in what is called The Northern Neck of eastern Virginia. There are three peninsulas in southeastern Virginia that jut into the Chesapeake Bay from its west shoreline. The northernmost of the three is called The Northern Neck, just south of it is The Middle Peninsula and the southernmost is just called The Peninsula, which is where I live. The two peninsulas north of me are interesting places in which to wander as they are largely rural and filled with farms, small towns and interesting photographic subjects. On The Peninsula, it is mostly urban and suburban and the photographic possibilities are relatively limited, with some national park and Colonial Williamsburg exceptions.
But I digress...
Wandering around The Northern Neck was very interesting as we encountered several subjects that I felt would render well in black and white. The image at the top of this post is one. But more importantly, I discovered that black and white renditions from the X-Trans II sensor are gorgeous! I think I have finally found a digital camera that produces monotone imagery that equals what I did in my old film days with custom darkroom work.
I found my images to be highly detailed with full tonality, even in the harshest conditions. With the X-T1 I have the ability to adjust contrast over a wide range, with beautiful and delicate whites as well as excellent translations of the other colors. Shadows are full of detail, if you like, or can be pitch black. This camera gives you so many choices when it comes to how you like your black and white imagery rendered. The most important aspect to me, however, is how it renders the various colors as gray tones.
I think Fujifilm engineers have hit upon something here with their black and white conversions of color digital images. I look forward to continuing exploring black and white using this excellent tool.
If you haven't tried black and white photography, give it a try. There are many reasons to like black and white and there are some reason not to. But black and white imagery can be every bit as beautiful as color, even more emotionally striking than a color image of the same subject.
Thanks for looking. Enjoy!
Dennis Mook
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Dennis,
ReplyDeleteI follow your blog. Thank you. Would you share your BW settings with us? I have yet to nail them on my X-T1, but I love the rendering you accomplished above.
Thanks
Sorry for the delayed reply. In Lightroom, I adjusted the input sharpening to help the detail in the grasses, etc. as well as added a small amount of clarity, as I like in almost all my images. Additionally, I use a Colorchecker Passport to adjust the colors to reflect reality, so I changed the calibration tab to the colorchecker setting I had previously created. I don't use Fuji's Film Simulations nor Adobe's standard rendition. Also, don't forget to adjust the white balance as it can have a dramatic effect on the final image as well. I used auto white balance in the camera and I tweaked to daylight instead of a slightly cooler rendition as it recorded (5500k vs. 5000K).
ReplyDeleteI then sent the raw file, with no other changes, to Silver Efex Pro 2, and once there, went through each of the presets on the left panel to determine which preset came closest for my vision at how I wanted the final image to look. In this case, it was the second present, which I think was called "underexposed." I envisioned a higher contrast scene with kind of a brilliant sunlit white on the clapboard school, a lot of contrast for some emotional drama, detail in the clouds and a dark sky. To darken the sky I used the right panel and clicked chose the red filtration button. I did look at the yellow and orange, but they didn't produce a sky dark enough for my vision. I checked the histogram at the bottom to ensure that I wasn't losing any detail in the highlights or shadows, then sent the image back to Lightroom for final tweaking. Looking at the image in Lightroom, I wanted a bit more detail in the clouds, so I lowered the "highlights" slider until I saw the effect I wanted. Additionally, I wanted the grass to be a bit darker as well as the shadows and foliage in the background, so I lowered the shadows slider until I got the effect and high contrast that I desired. And that was it.
I find that different images require different conversion treatments. Sometimes I do it all in Lightroom, which keeps the image RGB and allows one to fully manipulate all the colors so I can adjust adjacent tones to my liking. Once you send it to Silver Efex Pro 2, you then have a grayscale image and have to use light/darken methods to change relationships between colors.
I hope this helps. If you would like to discuss further, email me and ask any additional questions you may have.
Great tips! I also use efex pro. This soft works normal with the main tasks. It designed specifically for the creation of b/w images and RAW-converters, in which, of course, also have translation tools photo in b/w. http://besthdrprogram.com/efexpro/ some info I found about efex pro
ReplyDelete