Tuesday, March 5, 2024

When Is Enough Is Enough?

Do I need more resolution than this image made with a 24mp camera?  More sharpness than made
with an inexpensive lens?  You be the judge. (click to enlarge)

"Enough is as good as a feast." 
James Howell, 1660, Lexicon Tetraglotton

My question to you is when will you (or did you) get to the point of 'sufficiency' with your photography gear?

Whenever I watch a YouTube video or an internet photography blog reviewing a lens, the emphasis seems to always be on lens sharpness—center sharpness, edge sharpness and corner sharpness.  We seem to always talk about how sharp, sharper, sharpest a lens may be.  We celebrate how a lens with superior sharpness is and we clamor to buy them.  

Also, as much as many say we have enough pixels, our buying habits tell the manufacturers we want more and more pixels on our cameras sensors.  There seems to never be enough as we have to capture so much detail that we seemingly aim to see the atomic structure of a leaf or the molecular structure of a person's eyelash!  Sensor size?  Of course, we want bigger and bigger sensors.  APS-C and M4/3, we are often told, are inadequate and even full frame is now taking a back west to medium format sensors.  Is this what photography has been reduced to today?  Has technical excellence replaced content?  It sure seems that way to me.

Are we selling our collective photographic souls for the sake of technical superiority?  Are pictures that are tack sharp better than pictures that are acceptably sharp?  Has a photograph that is not technically excellent become a 'throw away?'  Have we forgotten that what’s in the photograph just might be more important than the technical quality of a photograph?  Have we gone overboard with technical perfection of our images and overly emphasize resolution, detail, sharpness, lack of distortion, vignetting and aberrations?  I think we have.

I want to be clear.  I'm calling myself out on this, too.  I'm as guilty as anyone for wanting more than I need.  Like many of you, I think I'm a victim of our current social media based culture.  But, in the past couple of years, I think I've changed my way of thinking.  For example, I've written that I think a 20mp Micro4/3 kit can produce as good images as a full frame kit, under most circumstances.  But there are always exceptions?  Just to make a point for the other side, if you are photographing warblers at a great distance and can’t move closer, a case can be made for a sensor with a large number of pixels so you can crop in to be able to see the bird at a decent size.  Or, again, if it’s that far away, maybe you should just enjoy looking at it and enjoying its song.  

I don't know about you but I see too many mediocre but technically excellent photographs circulating on the various internet sites.  But the trend seems to be that if the image is tack (or pin) sharp, highly resolved, colorful and grossly oversaturated it has to be good!  Or is it?

Add to that that any digital noise at all is too much and only the dynamic range of capturing detail in the surface of the sun at the same time as stars surrounding it is the only dynamic range that will suffice!

A decade or so years ago we were thrilled with the quality of 12mp cameras.  Remember the Canon and Nikon 12mp cameras?  They were a godsend!  I remember reading they were everything we had hoped digital would be.  They finally exceeded the quality of 35mm film.  Yahoo!  But when cameras arrived a couple of years later with 16 or 24mp, all of a sudden, 12mp wasn’t sufficient.  Then 20mp wasn’t sufficient.  Then 24mp wouldn't do.  Now we see many cameras giving us 45mp, 50mp, 61mp, 102mp and even 150mp!  We, as a photographic community, seem to have adopted a moving target of sufficiency and the philosophy that no number of pixels, resolution or sharpness is quite enough. 

Again, I'll interject that my heart tells me I love all of those pixels and those supersharp lenses but my brain keeps reminding me that anything more than sufficiency is wasted money, wasted computer storage space and wasted time in dealing with the huge files.

What I seem to see quite a lot are attitudes and opinions that a $500 lens mated with a 20mp camera can’t possibly make excellent photographs but the same focal length lens with the same aperture that cost $2500 mated with a camera with 61mp will make excellent photographs because it is the sharper lens and the camera resolves more fine detail.  How wrong.  That kind of thinking is very troublesome to most rational photographers.

The problem, at its base level, in my view is that we pixel peep.  We enlarge an image file on our HD, UHD, 4K, 5K or higher resolution computer monitors, not only to 100% but I now see reviewers looking at the molecular level of image files at 200%, 300% and even 400%!  Are you kidding me?  Shouldn't we be looking at an image in its entirety?  Shouldn't we be examining our images to assess how they look in their entirety which is how we would want those who look at our images to view them?  Do you really want those who see you images to look at them for technical excellence or do you want them to 'see' what excited you and what evoked an emotion in you and what you are trying to say in your images as a whole?

I remember when I was a teenager that an automobile that would top 125mph was extraordinary!  All the hotrodders wanted an engine that would allow them to go that fast.  As time progressed, that moving target became 150mph.  My 2000 Corvette was governed at 186mph!  (No I never drove it that fast and I found little satisfaction that it would go that fast as that speed was irrelevant to the real world—and, I was a Chief of Police, so there's that!).  Now, what is deemed fast is well over 200mph for a street legal vehicle!  I guess it is for bragging rights in the way of not only having an automobile that will go that fast but also being able to spend $500,000-$2,000,000 to buy one!  But you can't drive over 200mph on any street that I know of here in the U.S. anyway.  I guess the Bonneville Salt Flats may be one of only a couple of options.  So what does it then matter the top speed of your exotic automobile?  In the same line of thinking, can you really use 102mp or 150mp?  I'm not sure you can.

Okay, I'll get down off my soapbox.  My question to all of you is when will all this end?  When will we be satisfied?  When is enough enough?  When will stop clamoring for more?  When will we be thankful for the excess we now have and get back to making photographs with good content and not worry about extreme technical excellence?  

On the other hand, should it end?  Is this the only way we can keep the camera manufacturers in business?  I wish I had the answer but I don't.

As it says at the top of this post, truly, enough is as good as a feast!  You gain nothing by having too much to eat.

Join me over at my website, https://www.dennismook.com
 

Thanks for looking. Enjoy!  

Dennis A. Mook  

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12 comments:

  1. I've wrestled with these questions since my film days (35mm - 645 - 6x7 - 4x5) and have finally found peace with 12mp, via the Pentax Q7, using a small sensor. While the larger formats involve less depth of field at any given aperture, making any increase in resolution limited to the plane of focus when dealing with spontaneous hand-held images. Bigger advances in photographic technology are Image stabilization and post-processing techniques such as Topaz AI.

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    1. Professor! Tank you for your comment. Fifty years ago, I quickly tired of the 35mm film format. I just couldn’t get the quality I wanted. I jumped to 4”X5” for a couple of years but that turned out not to be a good fit. The quality was excellent, but I didn’t care for the restrictive nature of the process. However, I did teach myself the Zone System, learned a lot about ‘seeing’ light as well as a refined darkroom process. Finally, I settled on 6X7 for three decades and, except for 35mm for slides, I stuck with that. I now firmly believe that micro4/3 betters not only 35mm film but equals medium format film. Sufficiency. ~Dennis

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  2. Yes, agree. Marketing departments do a good job of convincing people you need more and more and more. Will just keep shooting my OM-1 for now and enjoying the results.

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    1. Excellent! Thank you for contributing. I still shoot with a variety of cameras and formats, I believe, as they give me topics to write about and experiences to share on this blog that otherwise I wouldn’t have. (Note: After 1675 posts, believe me, it gets harder and harder to find interesting topics to write about.) If I were go give up writing this blog, I suspect I would return to two cameras (one as a backup) and a few key lenses and be perfectly happy with that kit. In fact, I’ve designated my micro4/3 kit as my ‘retirement’ kit when I stop going out regularly or traveling just to photograph. ~Dennis

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  3. Horses for courses I say. Shoot what you need to achieve your vision. That said, uninteresting photographs look no better with 100 mp than they do with 20.

    I've written on forums quite a bit about sufficiency. And for what I do, a m43 camera set up is enough for me to express my point of view, without breaking my back, my bank account, and it lets me have fun. For my car, a Honda FIT gets me to where I want to go in relative comfort, it's inexpensive to own and operate, and with it's 6 speed manual and light weight I get to have fun. Same for my Royal Enfield 650 motorcycle, which is affordable, fun to ride, and has been fun to modify, and with 60 hp now, it is more than enough to carry me from NJ to NC an beyond, through the mountains and around the curves, and I'm having a blast.

    Sufficiency is a theme in my life, as is having fun with what I do and have. Enough is good, more can sometimes be too much.

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    1. Nothing to disagree with in anything you wrote. Thanks for your comment. I used to ride a Triumph 650 Bonneville in the late 1960s and it was plenty powerful to get me wherever I was going quicker than I needed to arrive! lol. Also, I do miss a manual transmission. The first few (used) cars I purchased all had manual transmissions. It makes just about any vehicle more fun to drive. ~Dennis

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    2. Every car I have ever purchased has had, and continues to have, a manual trans. Even my wife drives one, and as a matter of fact, we're married because no one in her family had the patience to teach her how to drive one, so she asked me.

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    3. In a bit of a coincidence, I taught my wife how to drive a manual shift vehicle after we met as I had a 1972 Ford Econoline van that I had fixed up and lived in all during my senior year in college. I guess I was one of the original ‘van dwellers’ that get so much attention today. The next car she bought was a manual shift “Datsun” 310. 👍🏻

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    4. Dennis, my first car was a green Datsun 310 manual shift. Fortunately I learned how to drive it living in a small town of 2,000, so I don't think I annoyed too many people. By the time I traded it in, I could see the road through the floorboards.

      I agree with what you are saying. With so many photos viewed on smartphones, why do we pursue perfection? The trouble for me is that a lens comes out, and I see how I can put it to use for what I like to shoot, and I end up with too many lenses (and cameras). I keep telling myself to sell everything but m4/3, which is the camera I have the most fun with, but can't quite pull the trigger. I currently have full frame, APS-C, m4/3, and a 1" Sony that is pocketable. I had good reasons to buy each, but at the same time don't know how I ended up here. LOL

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    5. It’s okay to have multiple cameras representing multiple formats if you use them. Don’t worry how you got to where you are, just use and enjoy your cameras! ~Dennis

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  4. I matriculated from a '49 Ford F100 to a classy '66 Rambler American with 3 on the column.
    I loved the Rambler and it served well until I became the middle car in a multi car chain reaction crash on an icy morning. The policeman came to the car and asked me if I was hurt. I told him the truth, I couldn't stop crying. The poor Rambler was soon replaced with a Z28 Camaro (4 speed) which was never as much fun and had monthly payments. My first Linhof Technika 4x5 was the equivalent of the Rambler, 20 years old, well used, and zero electronics. In retrospect, I had more fun because of the basic limitations of both camera and car. I love my OM-1 and Z7, but sometimes I think I had more fun with my first no frills Olympus M10-II.


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    1. When I turned 16 my mother’s car was a 1961 Rambler station wagon. White roof with a gray body. So that was the car I was allowed to drive to school most of the time. It wasn’t a stick shift, but it had push buttons on the dashboard for gear changes. About 90 h.p. Wow! Not much of a car but I was thrilled to be able to drive. As far as cameras go, sometimes simple is better. Too many features and too many choices degrade the experience, in my opinion. ~Dennis

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